Art & photography

Philippe Reynaud

The best design for a photographer is the one you don't see.

Year
2026
Design & build
2 weeks
Stack
React · Vite · Tailwind · Vercel
  • Design
  • Development
  • SEO
https://www.philippe-reynaud.fr/
Home page of the Philippe Reynaud website — Art & photography, built by Kayzen Web
typeface family
1
accent colours
0
Lighthouse SEO
100/100
The starting point

What needed solving.

The background

Philippe Reynaud is a fine art photographer: black-and-white prints, exhibitions and sales of original works.

The constraint

A photographer's portfolio is the only kind of website where the design has to disappear. Any colour, any assertive typography, any effect competes with the image — and it is the image that sells.

The response

An interface stripped to the bone: neutral grey, understated typography, minimal navigation. Prints are shown large, on a neutral background, with their print specifications — medium, dimensions, edition. A sale is handled as an enquiry, not as a shopping basket.

Measured, not claimed

The scores recorded at delivery.

Lighthouse scores for the live site. We publish them as they are: when one is low, its cause and the plan to fix it are set out below rather than glossed over.

PageSpeed
89
Performance: 89 out of 100
88
Accessibility: 88 out of 100
100
Best practices: 100 out of 100
100
Search engine optimisation: 100 out of 100
Design & art direction

Every design choice, and the reason for it.

  1. Absolutely neutral grey

    No colour cast around the images. A slightly warm or cool background changes how a black-and-white print is perceived — a deal-breaker for a fine art photographer.

  2. Typography that steps back

    One family, two sizes, nothing heavier than medium. Titles of works are discreet and placed beneath the image, never over it.

  3. Print specifications on display

    Medium, dimensions, edition number. Someone buying a fine art print buys the object as much as the image; this information is part of the work.

Project palette

  • Grey 950

    #111111

    Text

  • Grey 100

    #F2F2F2

    Gallery background

  • Grey 500

    #7A7A7A

    Secondary labels

  • White

    #FFFFFF

    Page surface

Type system

Display

Inter 500

Body text

Inter 400

A single family, no heavy weights. On a portfolio, typography is a service, never a signature.

Engineering

What's under the bonnet.

  • React
  • Vite
  • Tailwind
  • Vercel
  1. Images at the resolution that matters

    Each print is served at the size actually displayed, in a modern format. On a photography site, rendering quality is the product — under-compressing would be absurd, and so would over-compressing.

  2. One accessibility issue identified

    88: a few secondary labels fall below the contrast threshold, a direct consequence of the choice of typographic restraint. The fix is identified and involves no real visual compromise.

Search engine optimisation

How the site makes itself findable.

  1. Artist name and series

    The photographer's name is the main search; series and exhibition titles come next. An artist's portfolio ranks on proper names, not on generic keywords.

  2. VisualArtwork markup

    Each print carries its type, its author and its dimensions. That is the markup expected for a work of art, and it feeds image search.

Site structure

What was delivered.

  • Home
  • Series
  • Available prints
  • Exhibitions
  • Biography
  • Contact
Method

How the project unfolded.

  1. Stance

    Design steps back so the image comes first.

  2. Design

    Neutral grey, a single typeface, print information.

  3. Development

    Images at the resolution that matters, modern formats.

Questions

What we are often asked.

It can be too thin — no print information, no biography, no clear way to get in touch. But it cannot be too visually restrained: anything that draws the eye away from the image works against the sale.

The same high standards, for your website.

A free audit of your current site, a quote within 24 hours and written reasoning — like the case study you have just read. Pay in three interest-free instalments; local funding schemes checked before you sign.

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